The below featured selections are augmented by brand new releases of another CD/DVD package from Lynne Arriale, a live DVD
from a great band led by Rabih Abou-Khalil, and a great-looking new educational
DVD/book package called Intro to Polyrhythm.
ALL MAY 2009 DVDs
ALL APRIL 2009 DVDs
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DIANA KRALL: LIVE IN RIO
First off is a brand new one from one of the true first ladies of jazz, Diana Krall. Live in Rio has her focusing on Bossa Nova, and the DVD includes interviews with Diana and her band and other special features.
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RETURN TO FOREVER RETURNS
Return to Forever was a beloved group that included some of the most important jazz musicians of the last few decades. Their live 'return' was documented at Montreux last summer, and we are very proud to present this DVD to you, with Chick, Al, Stanley and Lenny all still in top form.
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BUDDY RICH: UP CLOSE
Alfred has just released Buddy Rich Up Close, a very interesting DVD of a 1982 performance. This DVD focuses on six songs, shot and edited from several different angles, which truly gives one a unique and enlightening look at one of the true greats of jazz drumming.
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SUN RA: POINTS ON A SPACE AGE
This intimate documentary tells the story of the experimental band Sun Ra Arkestra, tracing its history from its birth in the 1950s, through its ever expanding influence over the underground music scene. The focus is on exploring the recent activity of the remaining members of the band.
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DAVE HOLLAND: VORTEX
At long last, the folks at View Video have made Dave Holland's Vortex video available on DVD. We will have copies within about one week, and we expect to be among the very first retailers to have this for you.
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DAVE BRUBECK: TIME OUT
While many of you surely own at least one edition of Dave Brubecks classic Time Out, a 50th anniversary edition was just released, with a bonus DVD including commentary by Dave on the recording of the album.
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FEATURED NEW BOOKS:
ALL MAY 2009 BOOKS
ALL APRIL 2009 BOOKS
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RITMOS DE CUBA
Advance has just released two Latin Jazz-themed books, Ritmos De Cuba-Cuban Rhythms for Percussion and Drumset, and Brazilian Rhythm Section Training (see next listing).
This book helps to overcome the various obstacles and difficulties drummers and multi-percussionists from the four corners of the Earth have had to face in view of their lack of knowledge about Cuban rhythms.
Step by step, it offers in a very skillful and up-to-date manner a compilation of polyrhythmic transcriptions of pieces performed by most of the existing Cuban music ensembles featuring a percussion section.
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BRAZILIAN RHYTHM SECTION TRAINING
This book reflects the perspective of a Brazilian musician living in Europe, where he came across a sincere interest for Brazilian music but lots of difficulties concerning its rhythm. If you play the drums, percussion, bass,
guitar or keyboard and are interested in Brazilian rhythms, this book is certainly for you. You will learn how to translate the main percussion
rhythms which are typical for Brazilian music styles into your instrument. You will also learn how to interact with fellow musicians, avoiding unnecessary repetition and adding transparency to the rhythm section.
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CHARLES MINGUS EASY PIANO SOLOS
This book presents 17 tunes arranged for easy piano solo including: Better Get Hit In Your Soul; Boogie Stop Shuffle; Duke Ellington's Sound Of Love; Goodbye Pork Pie Hat; and more.
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MODAL MASTERY FOR JAZZ GUITAR IMPROVISATION
Diatonic modal knowledge is essential to the guitarist as a tool for soloing. A solo should be a spontaneous improvisation. Modal Mastery can help store enough information to free yourself from having to search for what you want to play, thus aiding in spontaneity.
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ERROLL GARNER: FIVE ORIGINAL PIANO SOLOS
This great new books contains transcriptions of 5 piano solos as played by Erroll Garner. Titles are: Babette; Bounce with Me; From C to C; High Octane; and Young Love.
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PERCUSSIONINST'S GUIDE TO CHECK PATTERNS
An ideal book for private lessons, small group instruction or percussion ensemble rehearsals, A Percussionist's Guide to Check Patterns focuses on mastering the essential basics of reading and controlling one-beat rhythmic patterns.
It provides a systematic approach to sticking duple- and triplet-based rhythms that all beginning to advanced percussionists encounter in everyday music. All musical examples are written for non-pitched percussion, keyboards and drumset, and the step-by-step presentation is guaranteed to improve syncopation control and coordination.
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FEATURED NEW BIG BAND ARRANGEMENTS:
MAY 2009 BIG BAND CHARTS
APRIL 2009 BIG BAND CHARTS
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BOPLICITY: MILES DAVIS/GIL EVANS
This Gil Evans arrangement is quite possibly one of the most famous jazz arrangements of all time. And, we're pleased to present it here as-recorded, directly from the original manuscript. All solos have been transcribed, though chord changes are included in the event that your players wish to improvise instead. This is not a complicated arrangement and is within reach of most proficient bands. Solos are featured for baritone sax, trumpet, and piano. An alternate B flat part for the French horn is included that may be played by a second trumpet or a tenor sax. And, the tuba part may be played by a bass trombone. If there was ever a must-have arrangement, this is it.
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NIGHT AND DAY: CHARLIE PARKER/JOE LIPMAN (BIG BAND)
The chart moves along at a very brisk tempo - about 236 bpm. Naturally, as this was arranged for Parker it is an all-out alto saxophone feature.
Also featured are solos for piano, trumpet 2, and trombone 2. Simple, melody-based solos were indicated in the original manuscript and have been included here.
This arrangement has been engraved from the original manuscript - this is not a transcription. The ranges for trumpet 1 and trombone 1 are quite high; hence,
it has been graded as advanced. There are no saxophone doubles. Unlike the Parker material with strings (with big band in a some cases) this arrangement is scored for standard big band
instrumentation of lead alto, 2 altos (3 altos total), 2 tenors, 1 baritone, 4 trumpets, 4 trombones, guitar, piano, bass, and drums. The original manuscript called for 3 trombones,
but it has been augmented to 4 to suit a standard big band.
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ROCKER: MILES DAVIS/GERRY MULLIGAN
Here is another great arrangement from the famous 'Birth of the Cool' session. Gerry Mulligan's arrangement
features solo space for trumpet, alto sax, and baritone sax. This chart has been produced directly from the original manuscripts.
The solos have been transcribed and are presented as-played. But, chord changed are also included in the event that your players wish to improvise. An alternate B flat part for the French horn is included
that may be played by a second trumpet or a tenor sax. And, the tuba part may be played by a bass trombone.
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THEY DIDN'T BELIEVE ME: CHARLIE PARKER/JIMMY CARROLL
We're all familiar with the famous Charlie Parker with Strings recordings that were made in 1949 and the early 1950s. Parker recorded these in the studio and did many live concerts.
At first the reception from the critics wasn't so great. But, over time there recordings have been cherished by jazz fans all over the world. In fact, Parker's recording of Just Friends with strings became his best-selling single.
Well, it may surprise you to know that there were several arrangements that were rehearsed for Parker's 1949 'With Strings' session that were either not recorded or were scrapped. This chart of They Didn't Believe Me was arranged by
Jimmy Carroll for this date but was not recorded. We don't know the specific reason it wasn't recorded. But, due to markups on the original manuscript score and parts we do know that it was heavily rehearsed.
This arrangement has the same instrumentation as the others from this session except it was scored without oboe. There is a solo alto saxophone part and 3 violins, 1 viola, 1 cello, harp, guitar, piano, bass, and drums. Recognizing that not
everyone has access to strings players, alternate parts have been included in a Supersax-type configuration [2 altos, 2 tenors, 1 baritone]. Additionally, either of the tenor parts could be played by trumpets, and the cello part could be played by trombone,
though a few notes would have to played down an octave.
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WHAT IS THIS THING CALLED LOVE: CHARLIE PARKER/JOE LIPMAN (BIG BAND)
This up-tempo chart - about 240 bpm - is a great alto sax feature. It could also be used as a trumpet or trombone feature as well. Featured are 8-bar solos for trumpet 2, trombone 2, and piano.
There is also an open solo section on the form that could be opened up to allow for any number of soloists. Simple, melody-based solos were indicated in the original manuscript and have been included here. This arrangement has been engraved from the original manuscript -
this is not a transcription. The ranges for trumpet 1 and trombone 1 are quite high; hence, it has been graded as advanced. There are no saxophone doubles. Unlike the Parker material with strings (with big band in a some cases) this arrangement is scored for standard big band instrumentation of lead alto,
2 altos (3 altos total), 2 tenors, 1 baritone, 4 trumpets, 4 trombones, guitar, piano, bass, and drums. The original manuscript called for 3 trombones, but it has been augmented to 4 to suit a standard big band. This would make a great closer or festival chart.
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In our perennial and constantly flowering efforts to present the best selection of interesting new items for you, as of this newsletter we have added
120 new CDs for the month of May 2009 and
37 for the month of April 2009;
50 new DVDs for May 2009
and 21 for April 2009;
51 new music books for May 2009
and 34 for April 2009;
24 new big band and combo arrangements for the month of May 2009
and 14 for the month of April 2009.
If you haven't visited our Imports and Rarities section lately, please check it out. We are now stocking more and more obscure, rare, and hard-to-find
titles from Japan and Europe, including many titles that you may not be able to find elsewhere.
In our DVD section, we now carry an unbelievable but true total of nearly 2,000 jazz DVDs! We have all of the live performance DVDs, the documentaries, the method DVDs, the personal master classes - we proudly offer a selection of jazz and jazz-related DVDs that is second to none.
As always, please keep in mind that many of our new releases are available in limited quantities. We do our best to predict demand and fill orders as quickly as possible, but we do run out of new releases. Even if we run out of stock, everything featured in this newsletter should be available to ship within 3 weeks.
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