YOU CAN HAVE IT [DOWNLOAD]

New Edition!

Recorded by Diane Schuur with the Count Basie Orchestra

Arranged by Frank Foster, Prepared for Publication by Dylan Canterbury, Rob DuBoff, and Jeffrey Sultanof
download
star star star star star Be the first to write a review!
Comments:

Cat #: JLP-9999DL

$65.00

This product is available for immediate download after purchase.

 

Questions?

Please call +1-518-587-1102 or email us.

View Sample Page:

View Sample

Edition: Jazz Big Band Arrangement with Vocal

Description: Swing - Difficult

Publisher: Jazz Lines Publications

You Can Have It is the result of a collaboration between legendary saxophonist/arranger Frank Foster and Los Angeles-based singer/songwriter Morgan Ames. This arrangement was specifically crafted to feature vocalist Diane Schuur with the Count Basie Orchestra, which Foster was directing at the time, and is a high-energy romp throughout that is sure to leave a smile on the face of your performers and audiences alike.

Things kick off with, as is so often the case with Basie arrangements, a brief piano solo to set the brisk tempo before the full band roars to life at measure 9. Some bebop-influenced lines in the saxes and trumpets provide an exciting spark to the performance just in time for Schuur's entrance with the melody at measure 17. The tune follows a slightly unusual AABAA form, with the horn backgrounds providing just enough punch without becoming overwhelming. The melody is followed by an 8 bar ensemble interlude at measure 57, with the trumpets and saxes passing off some more bop-ish lines back and forth before the spotlight returns to Schuur for an almost-full chorus of scat soloing.

Another ensemble interlude, this time more traditionally Basie-esque in structure, occurs at measure 97 before Schuur engages in a back-and-forth battle with Foster's tenor sax for another almost-full chorus, with the full band coming in once again for an interlude on the last A section at measure 137. Schuur brings the melody back at measure 145, with the horn backgrounds taking on a far more aggressive approach to match the increased intensity of her vocals. The ending features a sort-of tag of the last few measures of the melody, with the ensemble riffing hard all the way up until the final few measures, where a brief piano plink sets up one last (surprisingly dissonant) blast.

Full Score
Vocal
2 Alto Saxophones
2 Tenor Saxophones
Baritone Saxophone
4 Trumpets
4 Trombones
Guitar
Piano
Bass
Drums
Vocal Key: Bb
Trumpet 1: G6
Trombone 1: Bb4